Partituras de Amadeus flauta

First Edition

Rosetti wrote this extremely charming work before 1782 for the 1st flutist of the Wallerstein court orchestra, Alois Ernst. It breathes the spirit of playful rococo bliss. Medium difficulty.

One of Barsanti's major works, it reveals a commanding mastery of counterpoint and unusual bold harmonic constructions with chromatic passages.

Hoffmeister's flute duets always offer a rich melodic palette and make perfect use of the instrumental 'vocabulary'.

Leclair's concerto is excellently suited for performance with piano accompaniment, quasi as a chamber sonata. Incidentally, the work can be presented just as advantageously on the oboe.

The 1st volume with Duos 1-3 of this epochal Quantzian instruction in the interplay of two voices contains an English translation as well as the facsimile of the original preface.

The edition contains in facsimile the complete preface to these popular duos aimed at a 'first taste of the effects of harmony' of two voices.

Thanks to their contrapuntal-imitatorial style and concise melodicism, Sammartini's sonatas surpass the duet productions of his time.

The two trio sonatas presented here in print for the first time are to be welcomed as a real find within the abundance of still unpublished chamber music works of the 18th century.

Levy's compositional style firmly believed in tonality and was constantly searching for new expressive possibilities. He had a preference for slightly varied motif repetitions, the frequent use of mod...

Quantz's first solo sonatas from his Dresden years are indebted to the 'mixed taste' cultivated by the teacher Pisendel, Italian included.

The Swiss composer Peter Mieg's Concerto for 2 flutes and strings is one of the standard works for this instrumentation: rousing cantabile duo competition.