Partituras para música de cámara de

Bernhard Henrik Crusell’s Quartet in E-flat major, Op. 2 for clarinet, violin, viola, and cello is undeniably one of the crowning masterpieces of early Romantic chamber music. Composed in 1812, this e...

An overall view of the trio sonatas, which Amadeus strives for, only conveys the wealth of compositional ideas that Quantz knew how to spread in these early works.

First Edition

First Edition

This op.19, praised by C.M.v. Weber for its 'heavenly tasteful performance', is a masterpiece of compositional and technical balance.

Discover a true gem of Romantic chamber music: Justus Johann Friedrich Dotzauer’s captivating Quartet in A minor, Op. 38 for flute, violin, viola, and cello truly deserves a renaissance in the concert...

The work, in the form of a suite of old dances, is something of the finest, a cabinet piece par excellence in expression, melodicism and instrumental finesse: Obligatory piece for this duo instrumenta...

Discover a masterful gem of Baroque chamber music: the Trio Sonata No. 32 in G minor (QV 2:34) by Johann Joachim Quantz unfolds a captivating depth in its delightful instrumentation for flute, violin,...

Today, the concerto is one of the most popular works that introduces the early form of the classical solo concerto, primarily in the classroom. Thanks also for the melodic inventiveness.

Jean-Marie Leclair's Concerto in C major, Op. 7 No. 3, is a radiant masterpiece of the French High Baroque that effortlessly blends virtuosic brilliance with refined elegance. Scored for flute, string...

The playful and sensitive harpsichord concerto, rooted in the high baroque as well as anticipating the sensitive early classical style, plays easily and pleasantly.

Pleyel's only septet for two concertante horns and strings, offers a first-rate chamber music contrast program in serenade style between symphonic ostentation and virtuoso passages.

First Edition

Probably one of the most melodically beautiful and inventive quintets of the instrumentation cultivated by Andreas Romberg was given to us by the creator of the canon 'Froh zu sein bedarf es wenig'.

The opus that opens the impressive series of 11 quartets, already accomplished in expressing a balance between flute and strings.

The lilting and sound-loving opus masterfully explores the entire range of the interplay between winds and strings. Put it on the podium!